Glowen, Ron.  Kent Rush: Forms and Attitudes.  San Antonio: San Antonio Art League, 1989.

Heasley, Charles.  Recent Works of Kent Rush. Cortland: Dowd Fine Arts Gallery, State University of New York, 1992.

Leeper, John Palmer.  Works on Paper - Kent Rush.  San Antonio: McNay Art Museum, 1977.

Williams, Lyle.  Kent Rush: A Retrospective.  San Antonio: Art Museum, 1998.


Articles/essays/reviews: (*w/reproductions)

Armitage, Diane.  "Kent Rush: Recent Photographs" (review).  THE magazine, V. 2, No. 6, December, 1993, p 65.*

Boswell, Peter. "Urban Imagery" (review).  ARTWEEK, 31 July, 1982, p 5.*

Bradley, Steven. "The Blue Star Exhibition" (catalog essay).  The Blue Star Exhibition,San Antonio: Contemporary Art for San Antonio, 27 June 1986, p. 7.*
Edwards, Jim. "Matrix Series I: Kate Petly/Kent Rush" (gallery guide essay).  Corpus Christi: Art Museum of South Texas, 1993.*

Gaston, Diana.  "Kent Rush: Recent Works" (gallery guide essay). Albuquerque: Fine Arts Museum, University of New Mexico, October 1990.*

Goddard, Dan. "Redefining Beauty: Kent Rush challenges our perceptions..." (review).  San Antonio Express and News,   July19, 1998, p. 7H.*

Gupta, Anjali.  "Found Abstraction." San Antonio Current Magazine, June 14-20 2001.*

Hammond, Pamela.  "Kent Rush at Art Space."  Images and Issues, Spring 1982, p 87.*

Hemmerdinger, William.  "Toward the Finish Line"(review).  ARTWEEK, May,1980,p.6.

Mason, Wally.  "The Everpresent Moment" (catalog essay).  The Everpresent Moment: Contemporary Drawing, Sarasota: Selby Gallery, Ringling School of Art, 1993.

Muchnic, Suzanne. "The Galleries: West Los Angeles" (reviews).  Los Angeles Times, 4 March1988, 30 October, 1981and18 April, 1980.
Rutledge, Virginia. "Social Studies/Public Monuments: Partial Documents: Contemporary Photography on the Street"(essay and illustrations).   Photography Center Quarterly #55, Spring 1993, pp. 4-11 & 13.*

Smith, Mark Lesly. "Reflections on the Art-Life Continuum" (catalog essay and illustrations).  Compelling Spaces: Site-specific Artworks. Austin: Texas Fine Arts Assoc., 1995.*
Symmes, Marilyn. "Cliche-Verre in the 20th Century."  Cliché -Verre: Hand-Drawn, Light-Printed, Detroit: Detroit Institute of the Arts, 1980, pp 122, 160.*


Reproductions appearing in:

Casey, Katheryn, ed. FOTOFEST 1988.  Houston: Fotofest, 1988, pp. 78,79.

Colpitt, Frances.  "Report from San Antonio: Jewel in the Rough." Art in America, February 2002, pp.58-65.

FRESH WORK  (w/introduction by Alison Devine Nordstrom). Daytona Beach: Southeast Museum of Photography, Daytona Beach Community College, 1996, p.12.

La Exposición Bienal de la Facultad de la Universidad de Tejas en San Antonio, México, D.F.: Universidad Nacional Autónoma de México, 1985.

Modern Art at the McNay: A Brief History and Survey of the Collection.  San Antonio: McNay Art Museum, 2002, p. 225.

San Antonio Museum of Art Open '86 (w/essay by George Nuebert).  San Antonio: San Antonio Museum Association, 1986 (no pagination).

Texas Prints 2001 (w/essay by Mark D. Smith).  Austin: Univerity of Texas, Austin, 2001, p.15.

12th University of Dallas National Print Invitiational.  Dallas: University of Dallas, 1992 (no pagination).

23 Artists in Residence at the Ringling School of Art and Design (catalog).  Sarasota: Ringling School of Art and Design, 2000. p.9.

2002 Delta National Small Prints Exhibition (catalog).  Jonesboro: Arkansas State University, 2002, p. 21


Articles published:

Rush, Kent.  "Collotype Printing from Film Matrices: An Extension of Lithography."  The Tamarind Papers, V. 10, No. 2, pp. 78-83.*

Rush, Kent.  "An Intuitive Search," ed. M. Martinello, et al.   Modes of Inquiry: Voices of Scholars Across the Fields of Study, Carrollton, Texas: Alliance Press, 1999, pp. 87-89.


Self-published Artists Books:

Snake, nine lithographs and collotypes hand drawn and printed by the artist accompanying text of poem,  "Snake," by D.H. Lawrence, 1984.

Roadside Distractions, Collaboration with artist Robert Sennhauser.  Eight photograph/collotype images by Kent Rush, text/typography by Robert Sennhauser.